"It all starts with a groove": How Shonky made ‘Cookie Monster’
Shonky reveals the hardware voodoo behind minimal house banger ‘Cookie Monster’
What inspired the track?
Every time I get to my studio, it’s with the intention of nailing one track. It’s about enjoying the process, getting ideas down and working fast. It doesn’t have to be mixed down or polished, as long as there’s a strong idea there, I come away happy. I don’t overthink anything, but inspiration usually comes from what I’m listening to in the days before, whether that’s tracks I’ve been playing at the weekend or music I listen to at home: hip hop, pop or whatever. My process for making music is pretty much the same for all of my tracks: it all starts with a groove. Once I get a groove going, the rest comes totally organically and that’s how this one started.
How did you finish it and what instruments did you use step by step along the way?
The kicks and snares were made with my MPC3000. This is one of my core pieces of gear, I love the way it processes the sound and the tactile feel from the pads when I’m making my beats. There are a few core machines I use: there’s my Sequentix Cirklon sequencer, the Five12 sequencer and an E-RM multiclock. They’re all connected and synced and form the heart of the studio. I used the SH101 for the bassline. It’s one of the first synths I learned to work with intimately. It’s really simple and has a great sound. The Cirklon is key to all of this; I can play a melody or some chords or whatever into it, then tinker with the sound, and play other arrangements over the top while that first sound is still playing. I can adjust the velocity of the drums as I go to keep everything sounding interesting. I don’t like to leave the drums flat, it’s important to give them character. The open hi-hats were made on my E-Licktronic Nava, which is a 909 clone that’s controlled by the Cirklon. The Cirklon’s velocity feature gives me more flexibility, which is not possible on the Nava itself. This all goes through my Studer 169, which is an old mixer that gives everything a really nice sound.
What’s the most game changing piece of equipment you own?
I would say the Sequentix Cirklon. It’s the heart of my studio and allows me to get ideas rolling quickly, it lets me almost become a kind of one-man band. I can tweak things on the fly as well. It’s an unfussy machine that is central to my creative process.
Shonky ‘Cookie Monster’ is out now on Third Ear Recordings
Gavin Herlihy is Mixmag's Tech Editor, follow him on Twitter
Shonkey's studio set-up:
1 Korg ER-1
2 Yamaha CS-60
3 Waldorf PPG Wave 2.2
4 Dave Smith PolyEvolver
5 Korg Minipops 7
6 Binson Echorec 2 T7E
7 Oberheim OB-Xa
8 Elka Synthex
9 Yamaha CS-70M
10 Pearl Syncussion
11a Yamaha D1500
11b Soundgas Type 636
12 MPC3000
13 DAW Studio One
14 Sequentix Cirklon
15 Dynaudio BM15A
16 Minimoog Model D
17 Sequential Circuits Drumtraks
18a AMS DMX 15-80s
18b Burl B2 Bomber ADC
18c Chandler Curve Bender
18d Lexicon 200
19a Chandler Mini Rack Mixer
19b Eventide Orville
19c Tascam DA-3000
20 Studer 169
21 Roland TR-606
22 Roland Jupiter 8
23 Voyetra 8
24 Roland SH-5
25 8raw8
26 Nava drum machine
27 Ensoniq DS80
28 Yamaha CS-30
29 Roland Alpha Juno
30 Microwave XT